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It's that time of year again. My Montgomery County property tax bill has arrived, just after having worked the last four months solely to pay off federal and state income taxes for the year. I remain hopeful that I will be able to start keeping my own money no later than mid-November.
And what do our Montgomery County and Maryland state elected officials deem a critical service to provide with taxpayers' money? What is one government-provided service and right of the people that could never be provided through private funding? Performing arts, naturally.
Strathmore, a 2000-seat music hall and home-away-from-home for the Baltimore Symphony, is the latest attempt to force fine arts down the throats of a public too ignorant to know how vital PBS is to their lives. [See: Funding PBS and NPR]
The price tag? $100,000,000.00, of Montgomery County and Maryland taxpayer money.
According to the Gazette,
The North Bethesda project, now estimated to cost $96 million, will be owned by the county and operated by the nonprofit Strathmore Hall Foundation. It has run $9.6 million over budget due to unexpected building costs.
I'm fairly confident that my property tax money will be falling somewhere in the "unexpected building costs" category.
According to WTOP:
The $100 million center is set to open Feb. 5 with a concert by the BSO with the famed cellist Yo-Yo Ma. The grand opening comes nearly four years after construction began, a process that was nearly derailed by ballooning costs and funding shortfalls. The center gives the BSO a chance to expand its audience and fund-raising power beyond the Baltimore region.
Oh, well, as long as Yo-Yo Ma approves.
And it gives the nearly 1 million people of rapidly growing Montgomery access to arts once only available after a long drive into downtown Washington.
From the Strathmore, one can be in downtown Washington in twenty minutes by car, and thirty minutes by subway. It's only a "long drive" if you happen to be listening to NPR during an election year.
Montgomery County Executive Commissioner and socialist champion Doug Duncan says that "it's one thing to sell [an architectural] drawing, it's another thing to take people in and see it and hear the music." So after one hundred million dollars, how does this arts-brought-to-the-suburban-proletariats program sound?
Not so good, apparently:
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You would think that with all that money, they would at least get the sound right. I mean, even the ancient Romans could figure it out with their amphitheaters. The Mayans built temples hundreds of feet high but in certain spots could talk in normal voices from the bottom to the top, and still be heard. Amazing.
Posted by: G-Dawg at August 3, 2005 12:08 PM